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We should be able to meet that. We're a bit concerned about the level of the street parade. We're a bit sick of the decorated tractors which we had last time and so much crepe paper which we're really sick of seeing at these small town events. If we're going to have a gay and lesbian parade, it has to be something professional. Rupert's interested in acquiring this newspaper and he's looking for something at least as good as The Australian. We're happy to consider sponsorship probably on the basis of kind. We'll give plenty of editorial as long as we can get two free seats to give to two of our lucky readers on the evening.
It's superb. Well, funding is in place. Now, Margie, you've got to organise the showcase of local acts. After consultation with the Bunglers, you discover that one of the issues that's most strongly felt by the community and especially by the RSL is the death of Princess Di. They want to do a homage to Di. They'll sing some of Elton John's songs with the words changed, "Somebody Didn't Save My Life Tonight" and "Saturday Night's All Right for Drunk Driving," etcetera. One of the oldest inhabitants claims her doggy did a poo that looks like Dodi and she's had that shellacked and wants the audience to hand it round while they sing their songs and they're going to finish with a rousing chorus of God Save the Queen. Deidre, is this building social capital, do you think?
Quite possibly so.
Good, excellent. Armed with that encouragement, are you going to program this travesty of an artistic event?
Me?
Yes.
Absolutely. I'm going to have a bevy of drag queens. Princess Di is incredibly appealing to the gay community so this actually unites them with the straight community much more because they both feel such grief and they're united by the Princess Di thing because of what she did for people with HIV as well as leprosy and all that stuff. So it actually brings them all together and a lot of the men in the community secretly like dressing up in women's clothes anyway and they're actually coming out now and the drag queens in the community are giving them lessons in cross-dressing. It's just working our brilliantly.
Judy Garland
Yes, yes, they just love it.
They're very happy about that but there must be a mole in the community because miles away in the nation's capital, Cantberra, parliament is sitting and questions are being asked as to why government money is being spent on singing the British National Anthem which is a particularly insensitive thing to do when we've just become a republic.
But we changed the words.
No, it's too late. Finally, Australia's first president Darryl Somers writes to you and suggests - writes to you, Jock, suggesting that you won't be allowed to have a festival at all unless the singing of God Save the Queen is cut. What¹s your response to that?
I would go along with that.
So no songs for Di. The RSL is sent away with a collective flea in their collective ear and told to think of something else. Well, another group comes to you, Margie, a young grunge band.
We're very upset by this. The gay and lesbian community don't think it actually refers to the Queen, they think it refers to drag queens and they're really upset.
Okay. Well, put that in triplicate and I'll consider it later. Another group comes to you, Margie, and they're a young grunge band that have been frustrated by lack of demand for their services and they're working on a couple of original songs about life as a young person in an Australian country town in the nineties. Can they be part of the show?
Absolutely.
Excellent. They'd like to finish with a cover version they want to do. Is that all right if they do a cover version to finish off their set?
Certainly. We'll put them on, we'll program them at a time when all the other young people are there. It will be fabulous.
Fantastic. The cover version they want to do is the Sex Pistols' version of God Save the Queen. Are they allowed to do that?
Yes, because there's a lot of, you know, problems with young people in the town so I'm into letting them express themselves and a lot of them are gay and lesbian so I'm very keen on them.
But you wouldn't let the RSL - the RSL aren't allowed to sing God Save the Queen so now they're a little bit peeved.
But I supported the RSL.
You supported them but they're very, very cross and they go away thinking that it's any colour as long as it's republican so we've alienated one group in the community. Finally, the Vietnamese community come to you, Margie. There are two groups who want to perform. The first group want to do a traditional Vietnamese dance which depicts the planting and picking of rice and the second group is a younger urban rap group. Deidre, which do you think would be of most value to the program?
I don't really know.
Margie, all right, we'll pass it on to you. They're very adamant that only one group - - -
Both of them because they both will do it for nothing so we'll have them. We'll have them because we need to fill the program up and it's culturally relevant and why not?
I'll tell you why not, they're very adamant that only one group can perform.
They themselves are adamant?
They themselves as a very small community, the Vietnamese community, they're all related and whichever group doesn't perform has to look after the shop and take care of the kids. So they both want to be in the performance but only one group can.
Oh.
So are you going to choose the traditional Vietnamese dance?
Couldn't I reprogram?
No, no, they're not going to push it, they're very polite. They don't want to actually get in anyone's way; the rap group or the Vietnamese traditional dance?
I can't combine them in the one performance?
You could have a rap song about picking rice or a traditional Vietnamese dance about the dole, perhaps.
Couldn't I do some community cultural development and get them to work together?
All right.
Yes, that's what would happen. They'd get it together.
You avoided that moral quandary.
Exactly, someone else would rung the shop, probably me. The RSL would run the shop.
The RSL will run the shop.
Great idea.
Margie, it's you again, I'm afraid. You're being paid a pittance to organise this ungrateful lot into a program but just before you sign the contract the Belvoir Street Theatre Company contact you. They're doing a show called Country Roads about life in a country town. It's opening in Bungle at the same time as the Bunglefest. The director has fallen sick and they want you to take over. It's three months' contract for what is known in financial circles as a shitload of money. You read it, it's a great play, it's theatrical, risque, it's relevant, etcetera, it's one of the best plays you've ever read as Tim Fischer might say, it has bucketfuls of distinguishment. What are you going to do?
I'd do both because I'm a workaholic and I can.
You can't do both, you can only do one. They open the same night.
I'd do the original one that I committed myself to.
Well done.
Without any question.
You still owe last month's rent, you can't pay the bills - - -
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